
Oh... you think I'm tripping? You don't think your vagina has a price? My mom looked at me pretty funny too until I explained to her my logic.
Let's look at some the basic differences between male and female sexuality.




Cheers,









"Awww man!" she wants to date Jesus Christ this guy laughed, after his
companion asked if I had high standards. "Of course" I had replied.
I have reflected on my last real date with Miles ad infinitum and I have stored a mental list of all the things I would change, including canceling the hurried date altogether. What I would never change is divulging my faith. For me, I am Muslim, and to love me is to love that part of me. It's funny, but I think I'd feel more comftorable with most men I've dated seeing me naked, than watching me bow down in prayer. My faith is deeply personal and deeply me. In the aftermath, I know that while I could date a Christian or Muslim man of God, just as long as he is of God, the ultimate stipulation is that he respects the way I serve. I would do the same, including going to church on Sunday, and celebrating both holidays on my end. With maturity has also come to the understanding that not everyone will be able to embrace me and my faith. For some, I will be a fabulous Muslim girl and woman of God. For some, I will be a fabulous girl, but a Muslim.
Next to my impeccable mother, the woman who has had the second most influence on my life is a fictional character. While many girls were groomed to idolize Jackie O, I grew up idolizing Jacqui B. Jacqueline Broyer; the fierce femme fatale played to the hilt by actress Robin Givens in the 1992 movie Boomerang.
I was just a little girl. Skinny legs, a press and curl. My mother always
thought I'd be a star. -Lauryn Hill
I was just a little girl, still at Marie Wildey's dancing school in cornrows and pink tights, when I was first laid eyes on Jacqueline Broyer. This was long before all the ballet performances, pageants and maternal influence transformed me into the prima-donna I (sort of) am today. I was too young to fully comprehend the story-line, yet utterly fascinated every time Jacquelyn appeared on screen. She mesmerized me, regaled in all the gold, glitz, and glamour that epitomized 1992. Here was this intelligent, successful Black woman who was also every bit of a raging siren. It's an archetype that Hollywood has since abandoned but fortunately, no amount of Nicki Minaj's could ever undo the effect of a single Jacqueline Broyer on a girl like me.
In childhood, I would watch the movie Boomerang dozens of times, paying attention to every fine detail of her captivating presence. I studied her power dress. I noticed the bespoke-like tailoring of her suits and how she never appeared unadorned, without an ensemble of bold jewelry. Jacquelyn wore hair extensions and so do I. It became important to wear a lush, flowing hairstyle, reminiscent of Jacqueline when she walks away from Marcus, her mane billowing behind her. I studied the meticulous aspects of her beauty; the fierce grooming of her brows, and the way her nails and lips were oft the same tempting shade of red. And whether it was by chance or subconscious-repetition, over time I did learn to channel her, at times, quite well.

*on-air, bringing a bit of Jacqui B...
In the movie Boomerang, marketing exec Marcus Graham is the poster child of what every Black woman is waiting for. Hence for him, dating is target practice and variety is very much the spice of his life. All is well in his love-em-and-leave-em universe until he meets his match, Jacqueline Broyer, the 'executress' who becomes his boss after a company take over.
"She's smart. She's beautiful. She's bad. She could be Misses Graham. I'm telling you. She's that bad."Jacqueline is the first woman Marcus encounters who is seemingly immune to his magic. By the movie’s climax, Marcus finds himself in the same vulnerable position to which he's reduced countless women, and like a classic Samson and Delilah tale, the ensuing chase leads Marcus to his (temporary) ruin.

The movie leaves most of Jacqueline's life to the imagination. You know next to nothing about her past, where she lives or even why she's fluent in French. You don't know if she's a divorcee or if maybe she'd spent years of her early twenties getting over her own Marcus Graham or two, much like I and other fly girls have. You don't know from where her extraordinary presence comes, but you are aware that at some point Ms. Broyer must have conquered her own hiccups, hang-ups, maybe even break ups and still she managed to become one hell of a self-fulfilled woman.
When I seduce you, if I decide to seduce you, don't worry... You'll know.
Seductive women like Jacqui B aren't born. They are made. The seductress has an uncanny will to exude control over herself and those around her through appearance and force of personality. As such, she also has the patience and discipline it takes to get there. Behind the glamour, Jacqueline ultimate seductive trait is indeed her wholeness. Even a man with the most well-rehearsed game will fumble when confronted by a Jacqueline Broyer. She is a male fantasy come to life; supremely confident, brilliant and wonderfully sexual. No easy prize, there is a torch lit path to her affections and during the course of the journey; a man just might be made better. My...You'd have to fathom that Jacqui B even spent ample time becoming Jacqui B.
In spite of her fascinating joi de vivre, in the movie Jacqueline Broyer is vilified, much like Robin Givens was at the time. Her fabulously complex character is relegated to being a flat antagonist; merely a device around which Marcus' redemption revolves. Still, while most female viewers identify with a sweet-and-vulnerable Angela, who does ultimately win 'the prize', they'd also love to wield Jacquelyn's seductive power.... But let's remember, Boomerang is a love story told by a man. Director Reggie Hudlin already broke the rules of the playbook by revealing the type of woman that could render a man weak. Hence, the movie ending is a shameless cover-up, written to throw women off.
Too bad.
Adulthood for me has largely been a process of fulfilling my childhood fantasy of becoming Jacqueline Broyer. I've always felt that if I were more like her I'd be immune to the kind of heartbreak that has riddled my life since freshman year undergrad. When Miles *exited stage left, my Jacqui ambitions went into over drive. I lost the ten pounds I picked up in college, I lightened my hair two shades, changed my nail polish color, and indulged in so much retail therapy I had to juggle a bill... or several. And while I may turn a few more heads now (including his), I am no Jacquelyn Broyer. I am still in that crucial process of becoming the woman of my dreams. Reaching that supreme level of confidence in which perhaps I am not immune, but hopefully impenetrable to unrequited love.
I told a male confidant today that I was pulling myself out of the game for an undetermined period of time. He said it was the pain talking.
"Despite how tired you may be of what some of us are offering," he said, "you're not as cynical as you may portray to some in the coming weeks, months or however long. Tired, likely. But still wanting and willing."
Yes, man-friend has a point. But really, I need to take a minute to be wrapped up in myself. Every woman needs different things. The truth is, I take rejection very personally. Rather than rationalize heartbreak with inauspicious timing or the classic 'he's not the one', I'd rather tell myself, I am not fly enough. For me, fabulous is and has always been a form of control.
My idolization of Jacqui B began as fascination with all that glitters, but over the years it has morphed into a desire to rise above romantic vulnerability. You don't know what Jacquelyn did after the scene where Marcus finally chooses Angela over her, but you can't picture her somewhere wasting Kleenex on tears. If we are to get real about Hudlin's machismo romantic comedy, Jacquelyn doesn't end up with Marcus, but she absolutely wins the game. Don't get it twisted, she conquered and reformed a true player, and if she really wanted Marcus, she could have had him.
How wonderful would it be to have power in the boardroom and in the bedroom?
It's a feeling most women will never know, but for me, a worthwhile pursuit. Sure there will still be suitors that come and go, but when it comes to the high stakes romances, I'd prefer the romance on my terms. I'd like to initiate the chase; compel a man to sacrifice, put his heart on the line, endure pleasure and pain, anxiety and ease, break down and ultimately build himself back up-- a better man, all in order to win my heart. And truth be told, I wouldn't mind bringing a skilled, debonair player to his knees all in the pursuit of love. It could after all end in love, or at the very least, give him a taste of his own medicine. As they say.... Karma is a bitch. A fierce bitch.
Flyness and funk,
kick bolchange, kick bolchange, potaburre, kick!

I designed a pyramid so tough that a star
that only glows every one hundred years falls
into the center giving divine perfect light
I am bad....*
My son noah built new/ark and I stood proudly at the helm as we sailed on a soft summer day
I turned myself into myself and was
jesus.
Men intone my loving name
All praises
All praises
I am the one who would save*
I caught a cold and blew
My nose giving oil to the arab world
I am so hip even my errors are correct*

I am so perfect so divine so ethereal so surreal
I cannot be comprehended except by my permission
When I met Miles right after Mount Holyoke, I was one of those people. I had been living in Manhattan for five years, hanging out with a bunch of women who, in addition to sharing an alma mater, shared a "1950-ish" goal of marrying well.

I was convinced that I was in love with Miles, and I made a deal with myself at that moment to do whatever I had to do, which turned out to be pretending to be someone else, to close the deal. I'd anointed him the perfect man: Ward doing the levels-- eatin' ribs with the brothers who work for transit and drinking Vueve Clicquot with CEO's.
I had met Miles Browning at a party. He smelled my hollowness and zoned in on me like a coyote at a camp fire.

"Before the clock strikes 12, or at least before you get started on your new resolutions, first resolve to get over those who you feel have gotten over on you."
I don’t mean to say that settling is ideal. I’m simply saying that it might have gotten an undeservedly bad rap. As the only single woman in my son’s mommy-and-me group, I used to listen each week to a litany of unrelenting complaints about people’s husbands and feel pretty good about my decision to hold out for the right guy, only to realize that these women wouldn’t trade places with me for a second, no matter how dull their marriages might be or how desperately they might long for a different husband. They, like me, would rather feel alone in a marriage than actually be alone, because they, like me, realize that marriage ultimately isn’t about cosmic connection—it’s about how having a teammate, even if he’s not the love of your life, is better than not having one at all.

On Entering the Sea
Love happened at last,
And we entered God's paradise,
SlidingUnder the skin of the water
Like fish.
We saw the precious pearls of the sea
And were amazed.
Love happened at last
Without intimidation…with symmetry of wish.
So I gave…and you gave
And we were fair.
It happened with marvelous ease
Like writing with jasmine water,
Like a spring flowing from the ground.
-Nizar Qabbani, translated by B. Frangieh
The Turner Complex- group of symptoms associated with a Black male who simultaneously identifies with the revolutionary behavior of Nat Turner and the abusive behavior of Ike Turner. He is passionate about the advancement of his people and spends his time reading Michael Eric Dyson and listening to John Coltrane. He can quote from the Auto Biography of Malcolm X and there is a picture of the Black Panther’s on his wall, however he can’t help but disrespect woman after woman as he concerns himself chiefly with his own satisfaction. If he doesn’t leave her with physical scars he leaves her with emotional wounds. The problem with a man suffering from the Turner Complex is that he is so self-convinced and often receives such affirmation from his peers that he is never forced to confront his faults.
CAVEAT: This is not at all a generalization en masse about Black men. This is an observation I have made about a FEW Black men I've encountered that lead me to ponder a more general point about human nature that has no race and has no color boundary. I use life experience frequently as a lead in to my blogs, but they almost all have a greater point that many people can take from. This is not meant to be "sexist". It is an observation made based off a few encounters, romantic/non-romantic and while there are few men for whom my ficticious complex applies, there are MANY more men for whom it doesn't. And for that, I thank God. Enjoy.*** *** ***
While I coined this term comically about a year ago amongst my friends, it came to mind earlier today while browsing Myspace. I came across the page of the very man for whom I’d coined the term. Let’s call him Prince Charming because he was charming as all hell, and at one time I believed that he was the man who would make my fairytale come true. (Well, for about two weeks) Now our relationship didn’t progress very far. I quickly realized that I was dealing with a wolf in sheep’s clothing, but I feel as if the experience is worth discussing.
Prince Charming’s Myspace profile is filled with quotes by the likes of Malcolm X and Frantz Fanon, quotes about the liberation of the Black race and the context of freedom. One that particularly stands out is taken from one of Malcolm X’s most notable speeches:
“If it is wrong to be violent defending black women and black children and black babies and black men, then it is wrong for America to draft us, and make us violent abroad in defense of her.”
Now let’s make it clear that there is absolutely nothing wrong with a man that is passionate about freedom and the advancement of people of color. It is a trait that I need in a man. In fact, his ‘consciousness’ is what attracted me to him in the first place. I thought, finally, a good looking, educated, older man who believes in God, likes jazz and loves his people. Jackpot! Boy was I disillusioned. Sure, he could speak at length about the state of Black America and perhaps he’d even read some Amiri Baraka, but this man treated Black women with up most disrespect, so.. .he wasn’t all that elevated in his consciousness.
It is absolute hypocrisy when a Black man proclaims his commitment to elevating peoples of African descent, and ritually disrespects Black women, physically, sexually, or emotionally… and emotionally does count. The black woman is the bearer of the Black Race. No, this doesn't mean she carries it on her shoulders single handedly. It means, quite literally, she gives birth. She is the mother, the grand mother... the matriarch. How can a man belittle a Black woman, her mind, her spirit and her body, when it was through a Black womb that he came into existence, or that his parents came into being? How can he express his love for the Black race and denigrate the female in the process? Is it feasible fora man to be committed to honoring his people and dishonoring a Black woman when in many cases, a Black woman raised him? How can one circumvent the Black woman when she is such an integral part of the Black race? It doesn’t make sense. In the same way, it doesn't make sense for a woman that proclaims her commitment to elevating people of color routinely disparaging Black men. In both cases these are contradictions of major proportions. I dont know, it's like being crazy about pizza, but hating the bread. Then you don't like pizza. It's like being a jazz fein but abhoring the bass and the drums... Then you don't like jazz.If a Black man, no matter how militant he is, lacks the integrity it takes to honor the Black woman (and that doesn't mean he has to love or like all black women) then he can not possibly honor his race or really, love his self. And Prince Charming isn’t the only man I’ve encountered suffering from the Turner Complex.
Now, I won't go to deep in this but I wonder if the Turner Complex to some extent manifests itself on a national scale. Like every ethnic or national group of people (we’re getting into gender studies here, but remember I’m still a senior in college) the woman ultimately signifies the ‘people' and the nation. Politics and ethnic discourse are often played out on her body and she is considered to be the keeper of tradition. Hence you have terms like the “motherland” and the “mother tongue”. In the Arab world where Islamic Law and custom are constantly being put under attack by the West, many Arab female scholars will argue that this phenomena makes it more difficult for Arab women to attain equal status in civic society because the act of defending Islamic tradition manifests itself in the suppresion of women. Literally, she becomes the keeper of tradition, and the counter to intrusive Western Thought. This is an example of how women signify the nation or the group on a larger cultural stage.To return to my point, I find it interesting that as a collective, Blacks are interested in social ,political and economic advancement, yet we condone (and silence is a form of condoning) the sexualization and objectification the Black woman on a national stage. Is this not a ghastly contradiction? And to think of it sociologically, if the 'woman' indeed does signify 'the group' then how are we to interpret our predilection for denigrating Black women for viewing and entertainment purposes. It was on the slave block that a woman was told to strip naked and bend over so her hind parts could be examined by potential purchasers, but when I look at some videos and magazine's today... not that much different. I don't have the answer, I can just ask decent questions. (Below: Frame from Nelly's 'Tip Drill' video as he swipes a credit card down... well you know)
Now there is nothing at all wrong with a conscious Black man and many of them are respectful and admirable Black men, heroes in fact. My dad is a wonderful example of this. We're talking about men who wear their consciousness on their sleeeves... but not in their hearts. The issue is that life is about balance. When a man defines his self by his convictions, be his convictions about race or even his piety, we have to wonder for what character flaw he could be over-compensating. This statement may step on some toes, but we all know that there are men of all races in positions of political, social and religious leadership who have philandering ways and no respect for women with whom they are romantically involved. In most of these cases, however, we are willing to look past his character flaws because of his distinguished public role. Every time you watch a male politician publicly apologize for adultery and his wife is there stoically by his side, this is what’s happening.
Men who seem motivated by some deeply rooted goal to inspire change are very attractive. They seem determined. They seem whole. Their very charisma and sense of purpose is the source of their magnetism… and in most cases they know this. There is nothing wrong with an inspired man (it’s great) but a woman must be strong enough to see beyond the mask. We all wear masks. Are his convictions apart of his character or his well constructed façade? Is he fooling even himself? The song says “order my steps in your word dear Lord”. Is he merely capable of articulating his beliefs in a profound way, or does he “order his steps” by them? We can always find people whose words contradict their actions, men and women, but it is dangerous to form relationships with such people.
We have to be careful about being infatuated by the “idea” of a man, or what he represents. We can’t fall in love with an archetypal figure, we need to fall in love with the reality if love is to have a chance at all.
I’d love to know what you all think about this.
Flyness and Funk,
Ike